Titlebook: Canadian Science Fiction, Fantasy, and Horror; Bridging the Solitud Amy J. Ransom,Dominick Grace Book 2019 The Editor(s) (if applicable) an

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Viral Encephalitis and Its Pathology,turing devastated worlds, in which most of the bridges allowing people to reach out to each other have collapsed. But, they also focus on a handful of characters using memory and art to build new bridges. In . (2016), Mavrikakis’s hero is a world-famous singer who creates museums and mausoleums to t

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Sudden Unexplained Death in Adults,r Kay, the history of nation building and identity building has been one of conquest and colonization, of departure and displacement, of homesteading and of rehoming. Kay creates myths of nationhood and nationalism, seeing the exile and expatriate figures who mark them as icons of an idea of nation

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Lymphoma and the Nervous System,ol trauma, not only to unpack the immediate and intergenerational trauma of residential schools, but also to situate the schools within ongoing colonial processes, and to suggest specifically Indigenous modes of regeneration. It shows how Gerry William’s . (1994), the first Indigenous science fictio

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Demyelinating and Dysmyelinating Diseases,hin the development of science fiction in Québec and Margaret Atwood’s problematic relationship with the genre, Mosser identifies the work of both writers as “meta-utopian.” Vonarburg’s novel, originally published in French in 1992, presents two major narratives, both of which reflect a need for the

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https://doi.org/10.1007/978-1-59745-219-9nvested in sf as a genre. Their respective novels, . (2001) and . (2002), rework Japanese and Chinese mythology in an explicitly Asian-Canadian manner, using speculative fiction to experiment with what it means to be produced as a gendered, racialized, and sexualized human being. Goto and Lai use th

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Written Self-Assessment Questions,d intersex people become the bridge, both in literary works and speculative fiction, as a way to anchor the transgender body to physical geography and national identity. These authors use the image of the bridge—more or less successfully, depending on their own gender orientation and their literary

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https://doi.org/10.1007/978-3-031-56658-5deed, posthuman world challenges human dominance, as prehistoric and technologically based lifeforms compete with humans, blurring the lines between the biological and the technological, the physical and the virtual, the literal and the figurative. Divisions are artificially imposed, and Watts ruptu

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Answers to Self-Assessment Questions,e as reworking the binarism of the “two founding nations” to move beyond both the two solitudes and the mosaic metaphor, extending survival to interspeciesism on a planetary level. In the . trilogy (2003–2013), Atwood expands the notion of multiculturalism to that of multispeciesism, arguing for the

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https://doi.org/10.1007/978-3-030-15685-5Canadian science fiction; Canadian speculative fiction; Canadian horror literature; Canadian fantasy li