Titlebook: Campus Cinephilia in Neoliberal South Korea; A Different Kind of Josie Jung Yeon Sohn Book 2022 The Editor(s) (if applicable) and The Auth

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Book 2022lore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job

裙帶關(guān)系

A History of Youth Culture: Politics and Generations in Transition,of neoliberal demands on youth—newly named the ‘88-. generation’—in the 2000s. These historical periods are not self-contained and are relevant to the history of university film club culture discussed in Chapter ..

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A History of Cinepol: Film Cultures in Transition,level; and there was in the 2000s an observable disconnect between the highly protectionist rhetoric concerning the newly profitable national cinema and cinephile culture that benefited from the niche but well-established cosmopolitan film culture (see Chapter .) as well as the increasingly accessible global media (see Chapter .).

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Conclusion,mption intersect. These students study extremely hard and play as hard, which embodies a neoliberal spirit .. This book submits that this ironically vibrant subculture of college student cinephiles makes South Korean film culture more complex and interesting than a simple nationalistic affair.

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Campus Cinephilia in Neoliberal South Korea978-3-030-95143-6Series ISSN 2634-5935 Series E-ISSN 2634-5943

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Josie Jung Yeon SohnDraws on conversations and interviews with university film club members.Explores South Korean cinephilia through an examination of the film consumption practices of young people.Canvasses student enth