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Titlebook: Building W. B. Yeats‘s Later Poetry; The Tower Poems Tomoko Iwatsubo Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

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發(fā)表于 2025-3-21 18:18:15 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Building W. B. Yeats‘s Later Poetry
期刊簡稱The Tower Poems
影響因子2023Tomoko Iwatsubo
視頻videohttp://file.papertrans.cn/193/192784/192784.mp4
發(fā)行地址Explores Yeats’s tower-oriented poems, composed during a period of dramatic personal and national change (1915-1932).Shows how Thoor Ballylee, the tower Yeats reconstructed in County Galway, became a
圖書封面Titlebook: Building W. B. Yeats‘s Later Poetry; The Tower Poems Tomoko Iwatsubo Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu
影響因子.This book explores Yeats’s later poetry through the metaphor of the poetic tower, where different kinds of ‘building’ – architectural, textual, political and symbolic – were closely interrelated. It chronologically examines Yeats’s tower poems, composed during a period of dramatic personal and national transformation, from 1915 to 1932. Within a year after the Easter Rising in Dublin, Yeats acquired a half-ruined Norman tower in County Galway, Ireland, which had enthralled him for the past two decades, and textually and architecturally constructed it into a focus of his life and work. Interweaving the account of the renovation of the actual building and the textual construction in the socio-historical contexts, the book reveals the evolution of Yeats’s multiplex tower as an organizing principle of his later poetry. Using the archive of correspondence and manuscript materials of relevant poems, including those which have thus far escaped close attention, the book offers close textual-genetic analyses and a diachronic view of Yeats’s tower poetry, which, with its foundations laid decades earlier, he built in the collections from .The Wild Swans at Coole. (1919) to .The Winding Stair
Pindex Book 2024
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Restoring the Tower at Ballylee in , (1921),hose title ‘Thoor’ was added in 1922). The chapter focuses on the unpredictably anomalous developments of these two tower poems in the making. Close analyses of ‘A Prayer for My Daughter’ (in which a direct reference to the tower emerged at a late stage of composition) and the inscription poem (whic
地板
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,Building a Symbol ‘a(chǎn)t the Foundation of a Nation’: ‘The Tower’, , (1928),it, . (1928). Incorporating his long-held theme at the root of the tower project, the Gaelic poet Anthony Raftery and his muse at Ballylee, into his poetic property, ‘The Tower’ opens a new phase of the building as public as well as private property, and the architecture functions as a stage for sol
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textual-genetic analyses and a diachronic view of Yeats’s tower poetry, which, with its foundations laid decades earlier, he built in the collections from .The Wild Swans at Coole. (1919) to .The Winding Stair978-3-031-60786-8978-3-031-60784-4
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