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Titlebook: British Women’s Writing from Bront? to Bloomsbury, Volume 3; 1880s and 1890s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2024 The Edi

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發(fā)表于 2025-3-21 19:09:12 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱British Women’s Writing from Bront? to Bloomsbury, Volume 3
期刊簡稱1880s and 1890s
影響因子2023Adrienne E. Gavin,Carolyn W. de la L. Oulton
視頻videohttp://file.papertrans.cn/193/192768/192768.mp4
發(fā)行地址Analyses developments in women’s writing across the 1880s and 1890s, including both canonical and lesser-known authors.Explores fin de siècle ambivalence about the cultural construction of gender in w
學(xué)科分類British Women‘s Writing from Bront? to Bloomsbury, 1840–1940
圖書封面Titlebook: British Women’s Writing from Bront? to Bloomsbury, Volume 3; 1880s and 1890s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2024 The Edi
影響因子.This five-volume series, .British Women’s Writing From Bront? to Bloomsbury, 1840–1940., historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined...Volume 3: 1880s and 1890s.?analyses confluences and developments in women’s writing across two .fin-de-siècle. decades. Its 16 original essays reconsider fiction by canonical and lesser-known women writers, redefining the landscape of female authorship during these decades. By exploring women’s fiction within the social and cultural contexts of the 1880s and 1890s, the collection distils in terms of women’s writing how these decades discretely build on earlier work that is identifiably Victorian. The last two decades of the century, in distinctive ways, witnessed literary experiment, reflection on the limits of realism, and a fruitful sense of confusion about what was ending and what was about to be
Pindex Book 2024
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Methodenhandbuch für Softwareschulungenstrations in her essays . (1882) and . (1883), Loveridge shows that Cobbe used domestic metaphors of the home to characterise vivisection laboratories, conflating the laboratory and the kitchen and using domestic terms like ‘baking’ and ‘stewing’ to describe vivisectionsists’ experiments on animals.
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Methodenhandbuch für Softwareschulungenld management. Drawing on contemporary debates about key concerns of the decade—women’s property rights, the legal and social status of single or widowed women and women’s fitness for business—Oliphant’s narratives articulate both the difficulties and pleasures of running a household without men. Ex
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Methodenhandbuch für Softwareschulungenire on Aestheticism about domestic servant Anne Brown and Levy’s novel about the Lorimer sisters who in a state of genteel poverty try to make a living through running a photography shop re-engender ideas John Ruskin expressed in his essay ‘Work’ (1866) about brain work and hand work. March-Russell
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https://doi.org/10.1007/978-3-642-45425-7ishers, Jordan illuminates the world of publishing contracts for women writers in the 1880s. Revealing the pressures that Ouida was under from publishers who sought contracts not only for book publication but also for serialisation and syndication rights, Jordan shows how publishers profited at Ouid
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