Titlebook: British Newspaper Strips; A Contextual History Adam Twycross Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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The Sixties Start to Swing,wly sophisticated, and largely classless, readership significantly influenced the newspaper strip output of the IPC’s newspapers. This chapter will first discuss how strips such as . in the . were designed to appeal to this new style of reader, and how the paper continued to gradually remove long-ru

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Sunrise,he ., and the impact of its subsequent sale to Rupert Murdoch in 1969. Murdoch, whose father had been a successful newspaper proprietor and had known key figures in British journalism since the days of Alfred Harmsworth, was sceptical of Cudlipp and King’s grasp of the cultural moment, and used Harr

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Conclusion,the twentieth century. It examines how newspaper strips were by this time sufficiently well established to feature a significant degree of self-referentiality, and how they continued to interanimate with the wider cultural context, being both extended into parallel media forms whilst being in turn s

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MITO-Methoden-Tool-Beschreibung,ugh the wider popular cultural environment and notes how the daily strip was ultimately compelled to adapt its positioning to accommodate the alternative articulations of the character that had grown through the wartime context.

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