Titlebook: Byron: Augustan and Romantic; Andrew Rutherford (Warden of Goldsmiths’ College) Book 1990 Palgrave Macmillan, a division of Macmillan Publ

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Infuriate

Byron and the Empire in the East,e the real problem he represents, as an apparently major poet whose poetry has in fact been steadily belittled in the English-speaking world. Unlike most writers, whose lives lack incident and variety, Byron makes wonderful journalistic copy. Personable as Princess Di, action-orientated as Bob Geldo

adumbrate

,Byron Augustan: Mutations of the Mock-Heroic in , and Shelley’s ,nt in the great . poems, which have no formal models in the English Augustan writers, than in such formally Popeian compositions as . or . (the relative poverty of the couplet poems may itself imply a certain weakness in the post-Augustan transmission); and (2) that for all his celebrated championsh

粗俗人

Continuities and Discontinuities of Language and Voice in Dryden, Pope, and Byron,st in all Byron’s corpus to satire in the manner of Pope and Dryden. Wordsworth did not like them. He wrote to John Scott (18 April 1816):.Wordsworth’s comment is cogent. The first thing we notice about these lines is that they have an ‘over the top’ quality which makes the voice unPopeian.

acrimony

,Augustan Satires and Panegyrics on London and Byron’s Image of the City,eads Don Juan over Shooter’s Hill from where he first espies the ‘great city’:.It is unusual, even in ., to find two rarely compatible perspectives or attitudes like ‘pride’ and ‘scorn’ attributed to a hill. But it may be felt to make sense if we bear in mind that Shooter’s Hill, situated on the Dov

剝削

Byron, Pope, and the Grand Tour,e the French Revolution with its omnipresent guillotine, changes both subtle and wrenching had occurred in the structures of thought and conduct in English life. For one thing, with James Watt’s great enhancement of the steam engine (1769) and with continual rapid gains in textile manufacture, the I

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形狀

kindred

amorphous