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Titlebook: Byron‘s Nature; A Romantic Vision of J. Andrew Hubbell Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Ecocriticism.Poetry.N

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發(fā)表于 2025-3-23 10:08:51 | 只看該作者
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發(fā)表于 2025-3-23 14:01:05 | 只看該作者
978-3-319-85349-9The Editor(s) (if applicable) and The Author(s) 2018
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發(fā)表于 2025-3-23 22:39:34 | 只看該作者
https://doi.org/10.1057/978-1-137-58360-4nked systems evolving at different rates of speed. Not only does this idea of nature underwrite Byron’s aesthetic, political, ethical, and economic theories of culture, it also positions him to describe cultural ecosystems on a cosmopolitan scale. Byron’s nature considerably broadens current understandings of Romantic nature.
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發(fā)表于 2025-3-24 05:16:51 | 只看該作者
Amrei C. Joerchel,Gerhard Benetkaluenced his philhellenism and his hope for a Greek renaissance. Byron’s cultural ecology was also foundational to the discourse of cultural patrimony, first used to contest Lord Elgin’s appropriation of the Acropolis marbles, and still at the core of international disputes over historical artifacts.
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發(fā)表于 2025-3-24 09:46:25 | 只看該作者
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發(fā)表于 2025-3-24 12:30:34 | 只看該作者
Introduction: Finding a Biography,n vulnerability and value the shared fragility that connects them to the earth. In contrast, Japhet already understands how shared fragility unites all living creatures in co-creating a highly diversified, self-determining world. He becomes the sole witness to God’s ecocide, the Flood, which reorganizes creation in a starkly dualistic hierarchy.
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