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Titlebook: By Its Cover; Modern American Book Ned Drew,Paul Sternberger Book 2005Latest edition Princeton Architectural Press 2005 Book covers.Design.

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發(fā)表于 2025-3-21 18:35:38 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱By Its Cover
期刊簡稱Modern American Book
影響因子2023Ned Drew,Paul Sternberger
視頻videohttp://file.papertrans.cn/193/192553/192553.mp4
圖書封面Titlebook: By Its Cover; Modern American Book Ned Drew,Paul Sternberger Book 2005Latest edition Princeton Architectural Press 2005 Book covers.Design.
影響因子i JUDGING THE BOOK Books are a thing of beauty,but so are horse-drawn carriages. 1 DICK BRASS Vice President of Technology Development, Microsoft Is the printed book destined for eventual extinction? Is the thoughtfully designed book cover approaching obsolescence? The availability of ebooks has indeed increased, and print-on-demand technology will likely change the way books are marketed and purchased. But there is something special about the mass-produced book as an object– it is more than just a presentation of the ideas of an author. When a 8 text is published and the book is designed and printed, it becomes a physical manifestation not just of the ideas of the author, but of the cultural ideals and aesthetics of a distinct historical moment. Should the physical book endure the onslaught of virtual forms of information, it will likely be its very materiality that facilitates its survival. The book as an object is comfortingly substantial in its content and its material presence. Ata time when so much information is dispersed in virtual form, it is especially important to examine the book as a distinctive object reflecting a marriage of authors’ words and designers’ vision. The
Pindex Book 2005Latest edition
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Introduction,rvival. The book as an object is comfortingly substantial in its content and its material presence. At a time when so much information is dispersed in virtual form, it is especially important to examine the book as a distinctive object reflecting a marriage of authors’ words and designers’ vision.
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Americanizing Utopia, as more progressive work by Paul Rand and Alvin Lustig. The mélange of styles was fully intended by the committee of guild members, who chose works for the exhibition that transcended the highly popular style of bawdy pulp fiction of the day.
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Modernism and Beyond,tic approach to design. The Push Pin group embraced traditional illustration and historical typefaces, and they were willing to create mélanges of styles that would have been virtually unthinkable to their modernist colleagues.
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The Bland Breeding the Bland,1960s, the publishers perceived their task as a privilege to present the work of their authors and a duty to present their audience with important literature. On the other hand, the larger presses that dominated the 1970s seem more authoritative, almost dictatorial in their pursuit of commercial success.
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