Titlebook: Burial Plots in British Detective Fiction; Lisa Hopkins Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license

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FATAL

The Deep Dead: Detective Fiction and Archaeology,odies or possessions resurface in a way that affects or comments on the present. Any act of digging the ground in crime fiction is also a digging into someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archa

CANT

,The Tongue Is a Fire: Patricia Wentworth’s Miss Silver Novels,, but never really changes: she continues to uphold Victorian values and to quote Tennyson at all opportunities. This is not only from nostalgia, however: the books consistently present talk—and especially women’s talk—as a terrifying force which poisons people’s lives and distorts their sense of wh

Countermand

The Body in the Library: Georgette Heyer, Dorothy Dunnett and Sarah Caudwell,ays already in the library. It opens with the detective stories of Georgette Heyer, moves on to Dorothy Dunnett’s Johnson Johnson books and finally looks at the slim but delicious . of Sarah Caudwell. Each of these authors has a distinctive voice, and yet all (including Heyer herself) are influenced

爆炸

Cover Her Face: Elizabethan and Jacobean Drama,bscure dramatists of the period are referred to. On one level, quotations from Peele, Webster, Ben Jonson or Ford allow anyone who identifies them to feel clever. More subtly, the image of Jacobean drama as decadent means that reference to it might invite readers to speculate on what kind of society

壟斷

Basal-Ganglia

Crime at Christmas, the fact that the more enthusiasm a character displays for the season, the more likely they are to be murdered. The chapter suggests that as part of the inversion and suspension of normality associated with the twelve days of Christmas, the usual moral imperatives are relaxed and killing can become

美色花錢

enhance

CANT