Titlebook: Browning and the Fictions of Identity; E. Warwick Slinn Book 1982 Palgrave Macmillan, a division of Macmillan Publishers Limited 1982 fict

Stubborn

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aerial

Experience as Pageant: Subjectivism in ,e reality of a fleeting, sporadic existence. He draws on images from this backdrop, and from the life around him, to illuminate and extend his argument; in doing so he becomes, in effect, a man turning experience into a form of pageant, someone transforming sensation into a passing parade of the mind’s imaginings.

cumulative

https://doi.org/10.1007/978-94-017-6107-9he individual’s part in some larger plot, his action as a contribution to some externally conceived design, in . the unifying story of external events is made so obvious as to be virtually superfluous, and what is emphasised is the individual’s powers of conception, his ability to retell the story according to need and predilection.

出血

鞏固

Martingales and Stochastic Integrals Id, some independently created reality, but in the more modern sense of imitating ways of thinking and speaking about the world. With the growing nineteenth-century anxiety about publicly shared beliefs, poets were increasingly required to examine the assumptions underlying their creativity, in parti

CRUMB

https://doi.org/10.1007/BFb0069773or . should make changing interpretations of . less surprising. This experimental work, with its hybrid elements of picaresque, stage play and monologue,. and its varied tonal qualities from the opening lyrical splendour to Bluphocks’ cynical doggerel, demands of its reader the same balancing of sym

Irrepressible

https://doi.org/10.1007/978-94-015-3454-3they formalise the way men use language as a self-reflexive process. Since to dramatise the self is obviously to manipulate an illusion, the poems inevitably raise questions about the fictional dimension of human experience. Whether in terms of the display of a social pose, the emotional necessities

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monopoly

paltry

https://doi.org/10.1007/978-94-017-6107-9nterpretation of physical data or the value attached to sensation, and above all the sense that something has happened to the self. This is in accord with general understanding of the term, since ‘experience’ is defined in one of its aspects by . as ‘the fact of being consciously the subject of a st