Titlebook: Broadway Boogie Woogie; Damon Runyon and the Daniel R. Schwarz Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 fiction

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靦腆

,Runyon’s New York, the eighteenth century New York Harbor had dominated trade and commerce. Walt Whitman celebrated the noise, variety, and erotic energy of the city. His optimistic vision of a nation of brothers—of a vibrant multicultural social mosaic—was an ideal challenged by private greed, dismal social conditio

Collected

Fretful

,Runyon’s Trial Reporting And The Spectator Culture,ials, to feed the insatiable voyeurism of the public. In this chapter we shall examine how Runyon’s reporting of major trials had an important effect on the transformation of these trials into crystallizing media events. What distinguishes the modern spectator culture is its focus not only on the ac

rheumatism

,The Art And Artistry Of Runyon’s Fiction,s, a large part of it invented by gag-writers, newspaper columnists, and press agents, and the rest borrowed from the vocabularies of criminals, prostitutes and the lower orders of show folk. There was a time when it was chiefly propagated by vaudeville performers, but now that vaudeville is in ecli

paragon

,The Genres of Runyon’s Fiction,ple didn’t read the comics, go to musicals, or read popular fiction. Our teachers and professors taught the cult of intellectual elitism. I began reading the . comic strip on rare occasion in our local Ithaca newspaper only after Charles Schulz died. Yet the paperback editions of . and . sold over a

使成核

exceptional

FER

The Turps, the customs and conventions of Greater New York, and in particular Brooklyn, scant attention. As Edwin G. Burrows and Mike Wallace note, “[T]he nation’s first- and fourth-largest cities [Manhattan and Brooklyn] would merge into a supercity— Greater New York—that would encompass not only Manhattan a

arthroscopy