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Titlebook: Broadcasting in Japan; Challenges and Oppor Hitoshi Mitomo,Mikio Kimura Book 2022 The Editor(s) (if applicable) and The Author(s), under ex

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發(fā)表于 2025-3-21 18:47:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Broadcasting in Japan
期刊簡(jiǎn)稱Challenges and Oppor
影響因子2023Hitoshi Mitomo,Mikio Kimura
視頻videohttp://file.papertrans.cn/192/191257/191257.mp4
發(fā)行地址Is the first book in English to analyze the challenges and opportunities facing the Japanese broadcasting industry.Explores how Japanese broadcasting can keep fulfilling its social mission under the t
學(xué)科分類Advances in Information and Communication Research
圖書(shū)封面Titlebook: Broadcasting in Japan; Challenges and Oppor Hitoshi Mitomo,Mikio Kimura Book 2022 The Editor(s) (if applicable) and The Author(s), under ex
影響因子.This book provides an analysis of the various challenges and opportunities facing the Japanese broadcasting industry. It is the first book in English that explores how Japanese broadcasting, especially commercial broadcasting, fulfills its social mission under the threat of the increased popularity of Internet-based media services as it reexamines the role and nature of broadcasting. During a series of disasters and the spread of the new coronavirus in Japan, while varied media connected people and supported socio-economic activities, broadcasting continued to be the most trusted. However, as Internet media attract increasing attention, the trend in broadcast viewership is downward. Commercial broadcasting, in particular, will be strongly affected by that trend and the impact of the shrinking population. ..Recognizing that such dramatic technological and environmental changes are under way, in addition to the eleven researchers participating in the visiting researcher committee at the Research Institute of the Japan Commercial Broadcasters Association (JBA), four research collaborators and the secretariat (director of the JBA) have contributed to this book. They have taken up issu
Pindex Book 2022
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Television Viewing via the Internet: Time-shift and TVer,
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Loop Erasure and Spanning Trees,commercial broadcasting system and is often compared to the Japanese broadcasting system. Using the system in the UK as a guide, the second half of the paper provides an outlook on Japan’s broadcasting policy. After introducing discussions about Broadcast Act 2010, data use, conditional access syste
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https://doi.org/10.1007/978-3-662-00031-1 required for any and all music to be webcast. With respect to this form of simultaneous retransmission, the Japanese Copyright Act is a complex, subdivided system. Under Japan’s Copyright Act, rights are established based on differences in transmission technologies, but under the WPPT, rights are e
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