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Titlebook: British and American Musical Theatre Exchangesin the West End (1924-1970); The “Americanization Arianne Johnson Quinn Book 2024 The Editor(

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期刊全稱British and American Musical Theatre Exchangesin the West End (1924-1970)
期刊簡稱The “Americanization
影響因子2023Arianne Johnson Quinn
視頻videohttp://file.papertrans.cn/192/191205/191205.mp4
發(fā)行地址Provides an in-depth history of American and British musical theatre at one of the UK‘s most significant theatres.Allows the reader to gain a more complete portrait of the musical’s cultural significa
學(xué)科分類Palgrave Studies in British Musical Theatre
圖書封面Titlebook: British and American Musical Theatre Exchangesin the West End (1924-1970); The “Americanization Arianne Johnson Quinn Book 2024 The Editor(
影響因子.This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’scultural significance in Britain.??.
Pindex Book 2024
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978-3-031-14665-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-3-8349-6389-5reputation as a production house. It considers Drury Lane theatre during wartime through an exploration of reception history and critical response to the ENSA, speculating as to the importance of theatre as a symbol of nation during wartime. Charged by the British government with the task of providi
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