Titlebook: British Women’s Short Supernatural Fiction, 1860–1930; Our Own Ghostliness Victoria Margree Book 2019 The Editor(s) (if applicable) and The

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(Other)Worldly Goods: Ghost Fiction as Financial Writing in Margaret Oliphant and Charlotte Riddellng shock or horror, but on creating a reassuring sense of a providential ordering to the universe that just occasionally requires some sympathetic interaction between the living and the dead to help it along.

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Victoria MargreeMakes an original contribution to ghost story scholarship by arguing for an intersectional approach to women’s supernatural short fiction of the late-Victorian period and early twentieth century.Argue

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Reinhard Zinkann,Jochen Mahadevanf each generally eschew malevolent ghosts in favour of anguished souls in need of earthly assistance, or who themselves seek to protect or otherwise benefit the living. Although their tales sometimes contain significant elements of uncanniness, the tonal emphasis falls not predominantly upon produci