Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 2; 1860s and 1870s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2020 The Edi

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Introduction,he 1870s paid attention to the material factors (including money and employment) that affected women’s lives. It also outlines the content of the volume’s chapters, which confirm that cultural shifts and possible responses to the unknown are addressed across a range of literary modes in female-authored 1860s and 1870s fiction.

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‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decademestic fiction; the reassuring expulsion of transgressive agents of sensation fiction; or in the growing legitimacy of deductive sciences of the mind. Dillane concludes that Eliot’s fascination with silence relates to her increasing?anxiety about how she would be remembered, and in particular,?her lack of control over her own literary legacy.

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‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s Pope argues, allows Marryat to explore radical ideas in what is, on the surface, a pantomimic text, but one that yields deeply subversive readings. In Leona she presents an 1870s heroine who comprehensively challenges prevailing notions of both femininity and sexuality.

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Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon’s 1870s Fictionstrategies and ingenuity, highlighting their wider impact on society. The chapter concludes by considering syndication of Braddon’s work in provincial newspapers, which gained her a wider geographical and social readership for her warnings about white-collar crime.

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