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Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe

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發(fā)表于 2025-3-21 16:44:39 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1
期刊簡稱1840s and 1850s
影響因子2023Adrienne E. Gavin,Carolyn W. de la L. Oulton
視頻videohttp://file.papertrans.cn/192/191195/191195.mp4
發(fā)行地址Explores the construction of a post-Romantic tradition.Looks at key texts from the Bront?s, Elizabeth Gaskell and George Eliot.Examines the emergence of a feminine sensational mode
學科分類British Women‘s Writing from Bront? to Bloomsbury, 1840–1940
圖書封面Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe
影響因子.This five-volume series, .British Women’s Writing From Bront? to Bloomsbury, 1840-1940., historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined...Volume 1: 1840s and 1850s. inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary l
Pindex Book 2018
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發(fā)表于 2025-3-21 23:19:13 | 只看該作者
Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change
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British Women‘s Writing from Bront? to Bloomsbury, Volume 11840s and 1850s
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發(fā)表于 2025-3-22 06:22:28 | 只看該作者
Book 2018c tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary l
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發(fā)表于 2025-3-22 14:53:20 | 只看該作者
‘Pleasant, easy work, -& not useless, I hope’: Harriet Martineau as a Children’s Writer of the 1840s instability of the genre. Exploring the dynamic relations between boy heroes and older female figures, Martineau takes a disunited community as the setting of her tales of endurance. In each of these overtly shocking stories, the boy hero must learn to renegotiate his place in the world. Above all,
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發(fā)表于 2025-3-22 18:03:00 | 只看該作者
‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840sns of inferiority and weakness. Generically these books span the line between the Newgate novels of the 1840s and the sensation novels of the 1860s, including elements of crime, sensation, and scandal. Crowe’s radical contribution is to present detection as well as crime in the working class.
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發(fā)表于 2025-3-22 23:40:01 | 只看該作者
Women in Service: Private Lives and Labour in Mary Howitt’s nesses, the social changes of the 1840s permeated the home as well as the public sphere. It was in this context that middle-class women and their servants played a key role in shaping social interactions, and a focus on the figure of the servant offers new ways of interpreting the intersections of c
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發(fā)表于 2025-3-23 01:38:53 | 只看該作者
Confronting the 1840s: Christian Johnstone in Criticism and Fiction in the domestic realm, they themselves were professionals operating across public and private spaces. Johnstone not only reviewed work by and about other women writers, including the collected diaries and letters of novelist Fanny d’Arblay (née Burney), she also co-edited ., making her the first wo
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