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Titlebook: British Women Writers of World War II; Battlegrounds of the Phyllis Lassner Book 1998 Palgrave Macmillan, a division of Macmillan Publisher

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發(fā)表于 2025-3-21 19:36:52 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱British Women Writers of World War II
期刊簡稱Battlegrounds of the
影響因子2023Phyllis Lassner
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圖書封面Titlebook: British Women Writers of World War II; Battlegrounds of the Phyllis Lassner Book 1998 Palgrave Macmillan, a division of Macmillan Publisher
影響因子In British Women Writers of World War II , Phyllis Lassner offers a challenging analysis of politicized literature in which such British women writers as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness‘ of World War II. Lassner questions prevailing approaches to women‘s war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty and heroism and victimization.
Pindex Book 1998
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How to Position a Luxury Product, second world war began with the losses of World War I. Their painful memories were often similar, and not just because so many lost loved ones. It was also because they remembered how their struggles for equality lost ground to the lure of supporting the nation last time it was threatened by world
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Marketing Research and Information,g of continuous world war would not suffice, however, to explain her apocalyptic vision of high-tech escalations of terror compulsively repeating the savagery of the past. But as she foresaw it, a Second World War ‘forces us to think about the catastrophes of the past, the destruction of cities, the
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Berend Wierenga,Gerrit van Bruggen instigated more by the social pressures driven by wartime domestic ideology. Many writers only found the emotional stability to write about women’s wartime lives years after, while others felt compelled by the urgency of the moment to put pen to paper, even as paper was becoming a luxury. Noel Stre
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Berend Wierenga,Gerrit van Bruggenes and its history of ethnic and political rivalries fueled plots of ill-fated love, dynastic intrigue, and feudal conflict. Staging these plots required little imagination, for Europe’s baroque facades and labyrinthine passageways could all too easily be made to symbolize the elaborate manners that
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https://doi.org/10.1057/9780230503786Adolf Hitler; Britain; civil war; Europe; fascism; fiction; women; World War II
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Palgrave Macmillan, a division of Macmillan Publishers Limited 1998
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