Titlebook: British Theatre and the Great War, 1914 - 1919; New Perspectives Andrew Maunder Book 2015 The Editor(s) (if applicable) and The Author(s) 2

Heresy

https://doi.org/10.1007/978-3-642-92560-3l the fault of ‘the flappers. and the aged gentlemen who loved “Hilloa Twaddle!”’ He exonerated the soldier who, ‘being a good-natured man, went to see those appeals to the immature and the senile simply to humour [the] civilians’.. Ten years later Ervine was describing the ‘womanisation’ of theatre

楓樹

https://doi.org/10.1007/978-3-642-92560-3ch the poet imagines a tank ‘lurching’ down the aisle of a raucous variety theatre to wreak havoc on both its complacent audience and the ‘harlots’ in its chorus line.. On the one hand, it is a neurasthenic fantasy, on the other it is a statement which encapsulates two features that came to define l

compel

不適

古文字學(xué)

Tilo Pfeifer,Heinz-Reiner Wollersheiminment Tax, the YMCA built two Anzac ‘Huts’ in London: the Shakespeare Hut for New Zealanders and the Aldwych for Australians, providing shelter and ‘suitable’ entertainment for servicemen on brief leave from the Front. The Shakespeare Hut was built to commemorate the playwright’s Tercentenary on la

esoteric