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Titlebook: British Theatre and the Great War, 1914 - 1919; New Perspectives Andrew Maunder Book 2015 The Editor(s) (if applicable) and The Author(s) 2

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樓主: Neogamist
31#
發(fā)表于 2025-3-26 21:58:42 | 只看該作者
British Cinema, Regulation and the War Effort, 1914–1918halls in a way which was beginning to worry them.. On 20 February 1896 the Lumière brothers had presented a programme of films at the Marlborough Hall on London’s Regent Street. These ‘a(chǎn)nimated pictures’ were soon incorporated into music hall programmes in London and major cities. By 1899, music hal
32#
發(fā)表于 2025-3-27 02:47:19 | 只看該作者
33#
發(fā)表于 2025-3-27 06:53:11 | 只看該作者
34#
發(fā)表于 2025-3-27 09:35:29 | 只看該作者
Palliative Pantomimes: Entertainments in Prisoner-of-War Campsh they had travelled before that journey came to an abrupt end. Writing in 1918, American doctor Daniel J. McCarthy observed that ‘one rarely comes across in the prison camps, a prisoner who had ever considered the possibility of being taken captive’.. Members of the regular armies as well as the mo
35#
發(fā)表于 2025-3-27 14:29:16 | 只看該作者
Book 2015the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and hig
36#
發(fā)表于 2025-3-27 20:13:30 | 只看該作者
37#
發(fā)表于 2025-3-27 22:01:59 | 只看該作者
On the Edge of Town: Melodrama and Suburban Theatre in Brixton, 1915ne revived; melodramatic, ‘simplistic’ and sentimental, they represent much that is antithetical to what we have come to admire in other war-time writings — the works of the trench poets, for example.
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發(fā)表于 2025-3-28 04:33:42 | 只看該作者
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發(fā)表于 2025-3-28 06:52:00 | 只看該作者
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發(fā)表于 2025-3-28 11:10:06 | 只看該作者
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