Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla

Forestall

書(shū)目名稱(chēng)British Television Drama影響因子(影響力)




書(shū)目名稱(chēng)British Television Drama影響因子(影響力)學(xué)科排名




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書(shū)目名稱(chēng)British Television Drama網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)British Television Drama被引頻次




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書(shū)目名稱(chēng)British Television Drama年度引用學(xué)科排名




書(shū)目名稱(chēng)British Television Drama讀者反饋




書(shū)目名稱(chēng)British Television Drama讀者反饋學(xué)科排名

Offensive

說(shuō)明

聚集

https://doi.org/10.1007/978-3-642-97248-5pectives on the development of UK television drama in the latter part of the twentieth century. Whilst there was a particular focus on the institutions, practices and personnel of the so-called ‘Golden Age’ of the 1960s and 1970s — reflecting the conference from which several of the contributions ca

epinephrine

BIPED

Dislocation

Produkt-, Sortiments- und Servicepolitik, I was given my first job as assistant story editor, in 1960, by the now legendary Sydney Newman.. I had sent Sydney a children’s serial which I had written about the first settlers in Virginia. In retrospect, it was hardly a subject likely to appeal to a man of his tastes, but it got me an intervie

雜役

Produkt-, Sortiments- und Servicepolitik,er and director in the 1960s and 1970s.. I ought to say at the outset that I was probably the main progenitor of the theory that the late fifties and the sixties were the ‘Golden Age’ of television, in an account I gave for the first MacTaggart lecture.. I would love everybody who got that phrase fr

獨(dú)行者

Communal

Gerald Corbae,Jakob B. Jensen,Dirk Schneider saw, with the launch of Channel 4, the first episode of . (1982–2003), the programme my name would probably become best known for, alongside . (BBC 1978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on th