Titlebook: British Socialist and Workers Theatre; Red Stages Robert Leach Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive l

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Socialism and Theatre in the 1970s,, instead of lifelike characters, often grotesque caricatures. They were conscious of the class struggle, often scoured history for suitable material, and involved audiences with their onstage action, as exemplified in shows like Red Ladder’s ., Banner Theatre’s . and Belt and Braces’ ..

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and culture and between political theory and cultural expresThis book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically thea

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Book 2023empted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be see

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history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.978-3-031-25684-4978-3-031-25682-0

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Goods to People or People to Goods?own. More socialistic were the drama groups attached to Socialist Sunday Schools and to the Clarion organisation, and here the first distinctly socialist plays were produced, a good example being Fenner Brockway’s . about the arms trade.

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Kontrahierungspolitische Entscheidungenthe Durham Coalfields, and Joe Corrie, a former miner, whose . was set during a miner’s strike. More like the suffragette plays were short, forceful works like Stephen Schofield’s ., Evelyn Sharp’s . and . by ‘Yaffle’. Finally, bigger historical dramas like Reginald Sorensen’s . and Hubert Griffith’s . also appeared.

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Ancillary

Produkt- und Sortimentspolitik,ontinued through the world war, influencing ABCA Play Unit and sending its Mobile Group to venues outside theatres. After the war, there was an attempt to establish a professional company, which, however, failed. The question remained: Was Unity’s prime function artistic or political?