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Titlebook: British Sociability in the European Enlightenment; Cultural Practices a Sebastian Domsch,Mascha Hansen Book 2021 The Editor(s) (if applicab

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發(fā)表于 2025-3-28 15:18:35 | 只看該作者
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發(fā)表于 2025-3-28 21:52:08 | 只看該作者
Introduction,arying social convictions and cultural practices—politeness, manners, morality—be balanced, negotiated, or amalgamated. With varying degrees of success, the sociable encounter served to promote the ideals of the Enlightenment.
43#
發(fā)表于 2025-3-28 22:58:46 | 只看該作者
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發(fā)表于 2025-3-29 04:18:34 | 只看該作者
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發(fā)表于 2025-3-29 11:09:08 | 只看該作者
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發(fā)表于 2025-3-29 14:54:43 | 只看該作者
Kontrahierungspolitische Entscheidungenn analysing this event and its several contexts, the chapter looks at how different notions of the social played a role in shaping its significance for Boswell, Paoli and the British public. Boswell’s trip can be seen as a constant recalibration of his expectations as to what kind of sociability he
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發(fā)表于 2025-3-29 17:32:31 | 只看該作者
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發(fā)表于 2025-3-29 21:32:07 | 只看該作者
Kontrahierungspolitische Entscheidungenight-seeing, to an eighteenth-century Bluestocking at least, included the notion of sociable encounters with both local guides and other tourists for educational and convivial purposes. This chapter argues that the experiences made abroad highlight both class and character differences between two Bl
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發(fā)表于 2025-3-30 00:38:25 | 只看該作者
Methoden der Markt- und Absatzprognoseability in . (1766). His ‘sequels’ offer us a fascinating example of the conflation of sociability, conflict and eccentricity. This chapter interrogates the function of cross-cultural sociable encounters and examines their impact on eccentric characters. It raises the issue of the position of the ec
50#
發(fā)表于 2025-3-30 07:45:53 | 只看該作者
Die Arena des Marketing: Umwelt und M?rkteof them were lavish and costly performances organized by the elite and, in fact, major social events. Elizabeth Lady Craven, later Margravine of Anspach, organized such private theatricals, both in Germany in the late 1780s and in Britain, especially in her own theatre in Brandenburgh House, in the
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