Titlebook: British Romanticism and Continental Influences; Writing in an Age of Peter Mortensen Book 2004 Palgrave Macmillan, a division of Macmillan

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,‘Il Est Devenue Classique en Angleterre’: Some Versions of Romantic (Anti-)Pastoral,d of representing the real exigencies of rural living, instead reduplicating comforting clichés — ‘Arcadia’, ‘the Golden Ages’, ‘Old England’, ‘the Organic Society’ — that ahistorically fix rustic life as the enduring repository of positive value..

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,‘Partizans of the German Theatre’: The Poetics and Politics of Romantic Dramatic Translation,e M. G. Lewis’s . (1797) and Charles. R. Maturin’s . (1816), more recent efforts have increasingly been oriented towards recovering and reassessing hitherto neglected forms, authors and plays. One telling manifestation of this trend is Jeffrey N. Cox’s ., which heroically undertakes to restore an en

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Erik Mooi,Marko Sarstedt,Irma Mooi-Recid of representing the real exigencies of rural living, instead reduplicating comforting clichés — ‘Arcadia’, ‘the Golden Ages’, ‘Old England’, ‘the Organic Society’ — that ahistorically fix rustic life as the enduring repository of positive value..

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Springer Texts in Business and Economicse M. G. Lewis’s . (1797) and Charles. R. Maturin’s . (1816), more recent efforts have increasingly been oriented towards recovering and reassessing hitherto neglected forms, authors and plays. One telling manifestation of this trend is Jeffrey N. Cox’s ., which heroically undertakes to restore an en

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Book 2004 European Continent. British Romanticism and Continental Influences discusses Romantic writers‘ complex and ambivalent responses to this threatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsworth and C

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eatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsworth and Coleridge publicly distanced themselves from European sensationalism, even as they assimilated and revised its conventions in their own writing.978-1-349-51212-6978-0-230-51220-7

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d from the European Continent. British Romanticism and Continental Influences discusses Romantic writers‘ complex and ambivalent responses to this threatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsw