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Titlebook: British Prose Poetry; The Poems Without Li Jane Monson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Virigina Woolf.Early

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發(fā)表于 2025-3-21 18:47:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)British Prose Poetry
期刊簡(jiǎn)稱(chēng)The Poems Without Li
影響因子2023Jane Monson
視頻videohttp://file.papertrans.cn/192/191142/191142.mp4
發(fā)行地址Brings greater attention to the scholarly acceptance and history of the prose poem in England.Examines poets who may not be known for their prose poetry.Combines research on both the practice and stud
圖書(shū)封面Titlebook: British Prose Poetry; The Poems Without Li Jane Monson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Virigina Woolf.Early
影響因子.This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. .British Prose Poetry. moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance..
Pindex Book 2018
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沙發(fā)
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板凳
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‘I Grow More & More Poetic’: Virginia Woolf and Prose Poetryth the findings of research by creative practice, a poem sourced in the systematic harvesting of her journal and diary entries on poets, poetry, and poetics. Observed are attempts, such as that of Jackson Mac Low, to transform Woolf’s writing into poems. Woolf’s ‘BLUE & GREEN’ is analysed as a prose
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發(fā)表于 2025-3-22 20:37:00 | 只看該作者
James Joyce and the Prose Poempoem, James Joyce’s epiphanies (1900–1904) emerge as an early attempt to move the prose lyric away from the stylistic intricacies of the British Decadents and to carry out Baudelaire’s project to reproduce the complex and discontinuous rhythms of consciousness. Joyce’s posthumous . enacts the formal
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A Weakening Syntax: , with Samuel Beckett’s Prose Poetryws with Lawrence Harvey dating from around this time (1961–1962), Beckett referred to his hope of finding ‘a(chǎn)n adequate form’, which he then described as a ‘syntax of weakness’. In this essay, an argument is made to suggest that the weakened syntax of . relates to Beckett’s readings of Dante’s .. Mor
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發(fā)表于 2025-3-23 06:11:47 | 只看該作者
Questioning the Prose Poem: Thoughts on Geoffrey Hill’s So what of the prose poem, a form that stands seemingly midway between poetry and prose? Does it still perform Jakobson’s poetic function, or does it edge closer to prose? This essay questions the prose poem through examples of prose that could be deemed as prose poetry, but the author examines why
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