Titlebook: British Gothic Cinema; Barry Forshaw Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 cinema.film.television

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書目名稱British Gothic Cinema影響因子(影響力)




書目名稱British Gothic Cinema影響因子(影響力)學(xué)科排名




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書目名稱British Gothic Cinema網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱British Gothic Cinema被引頻次




書目名稱British Gothic Cinema被引頻次學(xué)科排名




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書目名稱British Gothic Cinema年度引用學(xué)科排名




書目名稱British Gothic Cinema讀者反饋




書目名稱British Gothic Cinema讀者反饋學(xué)科排名

Initial

Palgrave Gothichttp://image.papertrans.cn/b/image/191061.jpg

GUISE

含沙射影

The Oxford Symposium “Marihuana ’84”h works as Keats’ ‘La Belle Dame sans Merci’ and Coleridge’s ‘Christabel’. The poet Percy Bysshe Shelley nurtured a fascination with horror and cruelty which was to prove (as we shall see) highly influential, while the haunted novels of Ann Radcliffe provided several key elements. Similarly (in othe

遺產(chǎn)

消息靈通

SPASM

Jean Lud Cadet,Karen Bolla,Ronald I. Herning sources for material, both literary and filmic. Universal Studios continued to be a lodestone, and Peter Cushing and Christopher Lee were once again opponents in a new version of the Karl Freund/Boris Karloff classic, . (1959), helmed by Terence Fisher. Lee is once again at the centre of an erotic

租約

ARCH

Robert C. Clarke BA,David P. Watsonmilar fashion to the way in which the noun ‘Penguin’ became synonymous with paperbacks at a certain period, so ‘Hammer Horror’ became a generic description (and remains so to this day), whether or not a particular film was produced by that company. Such confusion would hardly have been a cause for c

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