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Titlebook: British Film Music; Musical Traditions i Paul Mazey Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

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發(fā)表于 2025-3-21 17:13:07 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱British Film Music
期刊簡稱Musical Traditions i
影響因子2023Paul Mazey
視頻videohttp://file.papertrans.cn/192/191049/191049.mp4
發(fā)行地址Explores how British films from the 1930s to the 1950s draw upon the heritage of British music by employing a range of historically significant musical styles and types in their scores.Uncovers the co
學科分類Palgrave Studies in Audio-Visual Culture
圖書封面Titlebook: British Film Music; Musical Traditions i Paul Mazey Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S
影響因子.This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.?.
Pindex Book 2020
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Conclusion, of British musical traditions, documentary influences, and notions of restraint that mark the scores, and the films themselves, with a British inflection. The parallels, Mazey finds, between the mission of the English Musical Renaissance and the later movement to elevate the standard of British fil
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