Titlebook: British Fiction and Cross-Cultural Encounters; Ethnographic Moderni Carey J. Snyder Book 20081st edition Palgrave Macmillan, a division of

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感激小女

,Explorer Ethnography and Rider Haggard’s African Romance, ,skeletons, to the funereal femme fatale at the narrative’s center, who reigns over a savage tribe living on the ruins of a once glorious civilization, . has lent itself to psychoanalytic and mythical interpretations.. Marysa Demoor writes that Haggard’s African tales translate “the suppressed elemen

GIST

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戲服

,“When the Indian Was in Vogue”: D. H. Lawrence, Aldous Huxley, and Ethnological Tourism in the Sout (93). Although recent studies have shown that Lawrence’s representations of indigenous people alternately idealize and denigrate their subject, contemporary scholars, somewhat surprisingly, continue to praise Lawrence for his “extraordinary effort to get . Indian culture” (Kinkead-Weekes 27) and fo

harangue

Conclusion,ra of European exploration and conquest—to an era of full-blown tourism and imperial decline. This timespan also witnessed the transformation of anthropology from a learned amateur’s pursuit into a profession and an academic discipline—from, that is, the era of armchair anthropologists, reliant on “

Harass

Herpetologist

https://doi.org/10.1007/978-1-349-18846-8at lie on a different register. These interpretive modes tend to pry Haggard’s romances out of their historical moment, overlooking their resonance with other textual forms, including the ethnographic writings of explorers like Richard Burton and Henry Stanley, with which, I will demonstrate, Haggar

Communicate

Colin Nicholson (Senior Lecturer in English)t and observer, Forster came to represent himself, like the modern fieldworker, as an outsider capable of interpreting India from within. He called . “the best documented of my work because I did get to know a little about the country from the inside” (qtd. in Das xviii), and when he published his I

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