Titlebook: British Cultural Diplomacy in South Africa, 1960–1994; Daniel J. Feather Book 2023 The Editor(s) (if applicable) and The Author(s), under

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Tarmo K. Remmel,Ajith H. Perera its use, particularly beyond educational contact. It analyses the impact of the Musicians Union and Actors Equity’s calls on members to refuse to take work in South Africa unless there was an equal number of performances to white and black audiences, or preferably to mixed audiences. Additionally,

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Lucile M. Jeusset,Kirk J. McManuser will also discuss the controversial nature of such contact, particularly in the context of efforts on the part of anti-apartheid campaigners and sympathetic governments to implement a sports boycott against South Africa. This pressure culminated in the Gleneagles Agreement (1977) which called on

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A Genetic Interaction Screening Approach in criticism the British government faced for its lack of action in upholding the agreement against the many breaches of it by British sportspersons. Conversely, this chapter also analyses Britain’s role in promoting South Africa’s reintegration into the international sporting community as a means of

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先兆

Book 2023relations has focussed mainly on political, economic, or military links; this book makes an important and original intervention by emphasising how the British government sought to use cultural ties as part of its diplomacy in South Africa. The book also highlights the controversy these links generat

Isthmus

貪婪性

Book 2023ase study from which to analyse Britain’s use of cultural diplomacy during a period of relative decline, while also adding a new layer to the well-established literature on the UK-South African special relationship.? .

Atmosphere

2947-7182 those researching diplomatic history, imperialism, and inter.This book analyses the British government’s use of cultural diplomacy in South Africa from 1960 to 1994. Previously, scholarship on UK-South African relations has focussed mainly on political, economic, or military links; this book makes a