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Titlebook: British Crime Film; Subverting the Socia Barry Forshaw Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 21st c

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發(fā)表于 2025-3-25 04:23:03 | 只看該作者
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Between Left and Right: Politics and Individuals,alogy in more cautious times, and succeeded more recently by head-on attacks on the ethos of the right (as in the presentation of the ferocious Thatcherite protagonist of .), but with similar cynicism for ameliorative leftwing solutions. And the cult of the individual has been thoroughly re-examined
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發(fā)表于 2025-3-26 00:17:57 | 只看該作者
Heritage Britain,first century? One woman might be said to be the . here. Agatha Christie is indirectly the progenitor of a certain heritage view of Britain, in which the upper classes hold the reins of power (however much they may be distracted by murdering each other in ingenious ways — without rupturing social pr
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發(fā)表于 2025-3-26 07:15:14 | 只看該作者
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發(fā)表于 2025-3-26 11:21:22 | 只看該作者
The New Violence: The Loss of Innocence,arginalised psychopathic killers moving from periphery to centre stage. Needless to say, the threat (or promise) of violence has long been an integral element of the genre, but its filmic representation has often been circumspect — even in the era when the Kray Twins ruled London’s East End with ext
29#
發(fā)表于 2025-3-26 15:28:21 | 只看該作者
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發(fā)表于 2025-3-26 19:54:37 | 只看該作者
Metropolitan Murder: London,haracter and colour, as authentic in its vision as it is deceptive. And there is no gainsaying the value of such films as snapshots of a vanished London (such as the two gasometers at the back of King’s Cross station — one remains — or the railway bridges, corpses-for-the-disposal-of, for instance,
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