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Titlebook: British Colonial Realism in Africa; Inalienable Objects, Deborah Shapple Spillman Book 2012 Palgrave Macmillan, a division of Macmillan Pub

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發(fā)表于 2025-3-21 16:04:17 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱British Colonial Realism in Africa
期刊簡稱Inalienable Objects,
影響因子2023Deborah Shapple Spillman
視頻videohttp://file.papertrans.cn/192/191017/191017.mp4
學(xué)科分類Palgrave Studies in Nineteenth-Century Writing and Culture
圖書封面Titlebook: British Colonial Realism in Africa; Inalienable Objects, Deborah Shapple Spillman Book 2012 Palgrave Macmillan, a division of Macmillan Pub
影響因子What role do objects play in realist narratives as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? This book explores how the struggle to represent objects in British colonial realism corresponded with historical struggles over the material world and its significance.
Pindex Book 2012
The information of publication is updating

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發(fā)表于 2025-3-21 20:26:33 | 只看該作者
Introduction: Reading Colonial Realism,d a troubling scene that would later return to haunt him. Fixing his acquisitive gaze on an elaborately ornamented article of traditional Xhosa leatherwork worn below the waist, Joest repeatedly tried and failed to purchase a particularly desirable exemplar from an elder member of the community. Six
板凳
發(fā)表于 2025-3-22 04:01:35 | 只看該作者
,Taking Objects for Origins: Victorian Ethnography and Conrad’s ,,l Museum several years ago produces a rather uncanny sensation for the museum’s visitors. After all, museums are generally thought of as places for people to look at objects rather than for objects to look at, and appear to take notes on, people. Peering curiously from its glass display cabinet at t
地板
發(fā)表于 2025-3-22 06:00:52 | 只看該作者
Realism and Realia in Colonial Southern Africa,lict between African and European residents that rivaled the atrocities Conrad, Kingsley, and Blyden observed in Central and Western Africa. Southern Africa underwent an exceptionally rapid and excessively violent development in the second half of the nineteenth century, following its emergence with
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發(fā)表于 2025-3-22 11:36:51 | 只看該作者
,Artful Tales and Indigenous Arts in Olive Schreiner’s ,,einer. Whether considered residual traces of a Paleolithic human prehistory, works of art or ornamentation, functional signage, or objects of anthropological inquiry, these images stirred debates over how to regard them and, by extension, the land on which they rested. Painted or chiseled upon the r
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發(fā)表于 2025-3-22 14:49:01 | 只看該作者
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https://doi.org/10.1007/978-3-319-29782-8beads.. Voicing the familiar concern of nineteenth-century salvage ethnographers over the loss of an idealized authenticity, Joest, with a degree of preemptive nostalgia, anticipates the day when “all originality will be lost.. The autochthony of African artifacts – whether identified by their desig
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發(fā)表于 2025-3-23 05:56:53 | 只看該作者
and the New Daughters of London,ippings, and stone implements, which are as much their unquestionable . as those more formal documents so valued among landowners in more civilized portions of the earth.”. Although framed within European conceptions of property rights, Stow’s reading nevertheless accounts for the San’s distinct sen
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