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Titlebook: British Avant-Garde Theatre; Claire Warden Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 20th century.avan

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31#
發(fā)表于 2025-3-26 23:12:40 | 只看該作者
Staging: Platforms and Constructions,come so inextricably linked. With the agitational message at the forefront of the modern theatrical experience, the platform stage became prominent, and was almost universally implemented by these experimental companies, regardless of specific political or artistic alignments. At this early stage in
32#
發(fā)表于 2025-3-27 04:15:47 | 只看該作者
Character: The Screaming Man and the Talking Feet,lised or psychonaturalistic characters, thereby reflecting Auden’s manifesto proposition, ‘the drama is not suited to the analysis of character, which is the province of the novel. Dramatic characters are simplified, easily recognisable and over life-size’ (1986, p. 273).
33#
發(fā)表于 2025-3-27 06:39:48 | 只看該作者
34#
發(fā)表于 2025-3-27 10:06:51 | 只看該作者
M. Bercx,R. Saniz,B. Partoens,D. Lamoenlised or psychonaturalistic characters, thereby reflecting Auden’s manifesto proposition, ‘the drama is not suited to the analysis of character, which is the province of the novel. Dramatic characters are simplified, easily recognisable and over life-size’ (1986, p. 273).
35#
發(fā)表于 2025-3-27 15:19:53 | 只看該作者
Book 2018r human companions) at very high accuracy, while supporting the efficient storage ofmobility data in data warehouses, which this handbook illustrates. This has provided the means to collect, store and process mobility data of an unprecedented quantity, quality and timeliness. As ubiquitous computing
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發(fā)表于 2025-3-27 20:55:48 | 只看該作者
37#
發(fā)表于 2025-3-27 22:29:38 | 只看該作者
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發(fā)表于 2025-3-28 03:12:24 | 只看該作者
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