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Titlebook: Britain‘s Bloodless Revolutions; 1688 and the Romanti Anthony S. Jarrells Book 2005 Palgrave Macmillan, a division of Macmillan Publishers

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發(fā)表于 2025-3-21 16:18:35 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Britain‘s Bloodless Revolutions
期刊簡稱1688 and the Romanti
影響因子2023Anthony S. Jarrells
視頻videohttp://file.papertrans.cn/191/190962/190962.mp4
學科分類Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
圖書封面Titlebook: Britain‘s Bloodless Revolutions; 1688 and the Romanti Anthony S. Jarrells Book 2005 Palgrave Macmillan, a division of Macmillan Publishers
影響因子Britain‘s Bloodless Revolutions explores the relationship of the emerging category of Literature to the emerging threat of popular violence between the Bloodless Revolution and the Romantic turn from revolution to reform. The book argues that at a time when the political nature of the Bloodless Revolution became a subject of debate - in the period defined by France‘s famously bloody revolution - ‘Literature‘ emerged as a kind of political institution and constituted a bloodless revolution in its own right.
Pindex Book 2005
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發(fā)表于 2025-3-21 22:41:10 | 只看該作者
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發(fā)表于 2025-3-22 16:17:38 | 只看該作者
Introduction: 1688 and the Romantic Reform of Literatureitain. In the process the Revolution and Settlement of 1688–89 was itself rewritten for a post-1789 world. The events of 1688–89 had been reread and rewritten throughout the eighteenth century.. The outbreak of revolution in France provided an opportunity for yet another update of that earlier revolution.
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發(fā)表于 2025-3-22 18:23:36 | 只看該作者
Why Literature—not the People—Rose, the public sphere, the people, the domestic woman, liberalism, capitalism, civility, literature. But in another sense, it marks a critical self-consciousness about the profession itself, one that seeks to answer for the present crises of the discipline.
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Why Literature—not the People—RoseL.” From changing reading habits to the displacement of religion, from an expansion of print to a “disciplinary” displacement of philosophy, eighteenth-century critics have posited a variety of answers to the question of how and why literature rose when it did.. In one sense, this may be a continuat
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