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Titlebook: Bridging People and Sound; 12th International S Mitsuko Aramaki,Richard Kronland-Martinet,S?lvi Ys Conference proceedings 2017 Springer Int

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發(fā)表于 2025-3-21 19:12:20 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Bridging People and Sound
期刊簡(jiǎn)稱(chēng)12th International S
影響因子2023Mitsuko Aramaki,Richard Kronland-Martinet,S?lvi Ys
視頻videohttp://file.papertrans.cn/191/190766/190766.mp4
學(xué)科分類(lèi)Lecture Notes in Computer Science
圖書(shū)封面Titlebook: Bridging People and Sound; 12th International S Mitsuko Aramaki,Richard Kronland-Martinet,S?lvi Ys Conference proceedings 2017 Springer Int
影響因子This book constitutes the thoroughly refereed post-conference?of the12th International Symposium on Computer Music Modeling and Retrieval,CMMR 2016, held in?S?o Paulo, Brazil, in ?July 2016. The 22 full paperspresented were carefully reviewed and selected from 40 submissions.? .This year’s conference theme “Bridging People and Sound” aimed at encouraging contributions from artists and listeners on the one side and audio and music technology researchers on the other..
Pindex Conference proceedings 2017
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書(shū)目名稱(chēng)Bridging People and Sound影響因子(影響力)




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發(fā)表于 2025-3-21 20:29:26 | 只看該作者
Schlussbetrachtung und Ausblick, as an analytical tool. The current iteration of Angkasa provides an interface for analysis and synthesis of both spatial and temporal domains. Additionally, we present a brief theoretical overview of Spatiotemporal Granulation, and outline the possible, and potential manipulations that could be realized through this technique.
板凳
發(fā)表于 2025-3-22 00:38:11 | 只看該作者
Angkasa: A Software Tool for Spatiotemporal Granulation as an analytical tool. The current iteration of Angkasa provides an interface for analysis and synthesis of both spatial and temporal domains. Additionally, we present a brief theoretical overview of Spatiotemporal Granulation, and outline the possible, and potential manipulations that could be realized through this technique.
地板
發(fā)表于 2025-3-22 07:08:02 | 只看該作者
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發(fā)表于 2025-3-22 11:57:23 | 只看該作者
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發(fā)表于 2025-3-22 15:50:45 | 只看該作者
https://doi.org/10.1007/978-3-658-12311-6style. Instead of first learning the patterns, and then making replications as early music generation work did, we introduce a completely new data driven methodology to generate music. Then we discuss exploring the difference between the original music and synthetic music sequences using information theory based techniques.
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發(fā)表于 2025-3-22 20:44:14 | 只看該作者
Projektphasen und Arbeitsschritte,raction will be discussed. We will extract some design insights that have been inspiring in the creation process of the Smartphone Ensemble, The AirQ Jacket and Lumina Nocte. These projects have been got under way along with MA students from the Design and Creation program at the Caldas University in Manizales, Colombia.
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發(fā)表于 2025-3-23 01:18:10 | 只看該作者
Schlussbetrachtung und Ausblick,e audio and musical composition in the form of a generic middleware based on the Pure Data programming language. We describe here the middleware architecture and implementation and part of its validation via two game experiments.
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發(fā)表于 2025-3-23 04:35:23 | 只看該作者
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發(fā)表于 2025-3-23 09:00:30 | 只看該作者
Management- und Projekt-Methodenelping subjects to better stabilize. On the other hand, our findings suggest that some multisensory interactions occur, in which sound can facilitate the integration of the other modalities involved in the postural control.
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