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Titlebook: Brian Friel; Theatre and Politics Anthony Roche Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 bibliography.

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發(fā)表于 2025-3-25 06:49:36 | 只看該作者
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Book 2011Friel is recognised as Ireland‘s leading playwright and due to the ability of plays like Translations and Dancing at Lughnasa to translate into other cultures he has made a major impact on world theatre. This study draws on the Friel Archive to deepen our understanding of how his plays were developed.
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發(fā)表于 2025-3-25 12:13:50 | 只看該作者
https://doi.org/10.1057/9780230305533bibliography; culture; dancing; drama; history; history of literature; inquiry; Ireland; knowledge; play; poli
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978-1-137-27469-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2011
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https://doi.org/10.1007/978-3-540-69007-8t space of time. Most of the reviews were positive; but it was the word of mouth, and in particular the play’s impact on future theatre practitioners, that testified to its importance as a breakthrough in the history of the Irish theatre. Thomas Kilroy, who would make his own theatrical debut four y
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發(fā)表于 2025-3-26 11:51:06 | 只看該作者
https://doi.org/10.1007/978-3-658-00676-1 Friel, and yet there is no getting around the prominence of fantasy in the work. Of the pre-. plays, . is the outstanding example, as the title itself suggests. The figure of Willie Logue, the Catholic post office worker in Derry whose latest cultural obsession is for all things French, is merely t
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發(fā)表于 2025-3-26 13:58:20 | 只看該作者
Schlussbetrachtung und Ausblick,prentice playwright. Irish drama featured single successes like Brendan Behan’s . in 1954 and Sam Thompson’s . in 1960 but nothing sustained.. Samuel Beckett was operating in a different language and culture, at too great a remove to have an immediate influence.. In England in 1956 John Osborne had
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發(fā)表于 2025-3-26 17:19:04 | 只看該作者
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