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Titlebook: Brands and Cultural Analysis; Arthur Asa Berger Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spri

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41#
發(fā)表于 2025-3-28 17:22:48 | 只看該作者
Language and Brandsy-Davidson slogans and the relationship of a Harley-Davidson slogan to American culture and history. I point out that a company’s slogan can connect with people at different levels and have multiple meanings, some of which function at a subliminal level.
42#
發(fā)表于 2025-3-28 22:37:43 | 只看該作者
43#
發(fā)表于 2025-3-28 23:41:41 | 只看該作者
44#
發(fā)表于 2025-3-29 03:30:11 | 只看該作者
45#
發(fā)表于 2025-3-29 07:18:34 | 只看該作者
Book 2019yche, brands and history, language and brands, the marketing of brands, brands and logos, the branded self, San Francisco and Japan as brands, brand sacrality, multi-modal discourse analysis and brands, and competition among brands.?.
46#
發(fā)表于 2025-3-29 13:01:51 | 只看該作者
https://doi.org/10.1007/1-4020-2107-0ed, followed by a discussion of the role of fashion in branding. The chapter concludes with a discussion of the self as a collection of brands that we use, and continually change as we redefine ourselves to others.
47#
發(fā)表于 2025-3-29 16:43:46 | 只看該作者
The Branded Selfed, followed by a discussion of the role of fashion in branding. The chapter concludes with a discussion of the self as a collection of brands that we use, and continually change as we redefine ourselves to others.
48#
發(fā)表于 2025-3-29 20:11:15 | 只看該作者
as what brands are, their role in society, brands and the psyche, brands and history, language and brands, the marketing of brands, brands and logos, the branded self, San Francisco and Japan as brands, brand sacrality, multi-modal discourse analysis and brands, and competition among brands.?.978-3-030-24709-6
49#
發(fā)表于 2025-3-30 00:32:02 | 只看該作者
50#
發(fā)表于 2025-3-30 05:13:19 | 只看該作者
https://doi.org/10.1007/1-4020-2107-0 and lifestyles) typology, which advertisers use to gain insights into their target audiences, and the role of marketing in consumer cultures. The chapter concludes with a discussion of the growth in the availability of objects to be consumed and with a discussion of “l(fā)ifestyle” in contemporary consumer societies.
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