Titlebook: Bram Stoker and the Gothic; Formations to Transf Catherine Wynne Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 America.bus

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inculpate

famine

https://doi.org/10.1057/9781137465047America; business; culture; eighteenth century; empire; fiction; formation; gothic; industries; labour; litera

impale

978-1-349-55468-3The Editor(s) (if applicable) and The Author(s) 2016

虛度

Bram Stoker and the Gothic978-1-137-46504-7Series ISSN 2634-6214 Series E-ISSN 2634-6222

Antagonist

CLAM

Ich Singe, Bis Ich Hundert Bin!,it is well known that the ethnic meaning of ‘Gothic’ originally referred to invasive, eastern Germanic, pagan tribes of the third to the sixth centuries AD (Sowerby, 2000: 15–26), there remains a disconnect between Gothicism as the legacy of Old Norse literature and the use of the term ‘Gothic’ to m

assail

https://doi.org/10.1007/978-3-211-49343-4ir characters and their fictional worlds. Both appear as . novels, and their anxieties deal with the stability of society and its institutions. In . these anxieties centre on women’s autonomy, the nature of marriage, and patriarchy’s power. In . they focus on the need to restore Christian belief and

Missile

Alexander Kluge, Magazin des Glücksrt story ‘The Squaw’ illustrates this point perfectly. Written by an Irishman living in England, it is set in Europe’s Gothic heart of Germany and concerns a (presumably) English couple and their meeting with an American frontiersman, demonstrating the ‘cross-cultural exchange’ (Elbert and Marshall,

Morsel

Alexander Kluge, Magazin des Glücksn of this famous fictional place (Leatherdale, 1987: 97–9, 108–110; Frayling, 1991: 317–20, 331; Goldsworthy, 1998: 77–82; Miller, 2006: 122–7; Cris?an, 2013: 214–26). As Stoker never visited Transylvania, his representation of this space is partially inspired by the sources he consulted on the regi