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Titlebook: Bosnian Literary Adaptations on Stage and Screen; Sanja Gari?-Komneni? Book 2024 The Editor(s) (if applicable) and The Author(s), under ex

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11#
發(fā)表于 2025-3-23 10:48:04 | 只看該作者
12#
發(fā)表于 2025-3-23 15:09:05 | 只看該作者
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發(fā)表于 2025-3-23 18:28:54 | 只看該作者
https://doi.org/10.1007/b137947 of theatre and film, which impose their own rules on transposing the adapted text to stage and screen. Theoretical approaches are discussed in the context of theatre and film adaptations, predominantly from the region of ex-Yugoslavia.
14#
發(fā)表于 2025-3-24 02:00:30 | 只看該作者
Logistik-W?rterbuch. Dictionary of Logistics and eliminating characters, and adding scenes is the necessary stages that result in an autonomous discourse that possesses its own logic. Informed by theories of dramaturgy as well as the rules of screenwriting, this section offers the criteria for selecting scenes from . and transforming its plot
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發(fā)表于 2025-3-24 04:00:02 | 只看該作者
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發(fā)表于 2025-3-24 06:39:27 | 只看該作者
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發(fā)表于 2025-3-24 15:44:06 | 只看該作者
Die Automobilindustrie im Jahr 2025,In this chapter, the concept of predication—borrowed from linguistics—is applied to film and theatre languages. The premise is that the rules that govern the establishment of predicative relationships in the sentence can be useful in identifying meaningful communicative segments of film and theatre discourses.
19#
發(fā)表于 2025-3-24 22:21:13 | 只看該作者
https://doi.org/10.1007/978-3-658-04927-0In this chapter, the notion of stage configurations will be linked to the concept of predications and explored in the context of adapting . for the stage. In addition, dialogue as the dominant form in Selimovi?’s novel will be analysed based on research findings in speech acts models.
20#
發(fā)表于 2025-3-24 23:19:42 | 只看該作者
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