Titlebook: Border Ecology; Art and Environmenta Ila Nicole Sheren Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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https://doi.org/10.1007/978-981-13-6404-4 Although borders stand for “otherness” in Mignolo’s formulation, I contend that the Mississippi watershed presents a metaphorical border and a physical boundary zone that radically de-centers human priorities of mapping the ecosystem. In doing so, I situate . as an ecocritical work specific to St L

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The Boundaries of the Map, I argue, however, that rather than doing away entirely with allusions to the Western Romantic separation of human and nature, such digital landscapes are poised to ask critical questions: what kind of “nature” is represented in such a digitized, data-driven landscape? Can the visual of a schematic,

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Border Crossers, Although borders stand for “otherness” in Mignolo’s formulation, I contend that the Mississippi watershed presents a metaphorical border and a physical boundary zone that radically de-centers human priorities of mapping the ecosystem. In doing so, I situate . as an ecocritical work specific to St L

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Ila Nicole SherenEcology meets decolonial praxis in digital media.How visual art can give insights into environmental crises.What is missing from ecocritical art? Video, photography and internet art from the margins

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https://doi.org/10.1007/978-3-031-25953-1contemporary art; Global South; border studies; eco art; landscape; new media

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avarice

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