Titlebook: Bolívar’s Afterlife in the Americas; Biography, Ideology, Robert T. Conn Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Sim

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承認

Toward a Usable Narrative,r particular iteration, we need a usable narrative against which to begin to make sense of how he has been deployed in critical discourse. The choice of beginnings and endings for constructing such a narrative is not an innocent one, but in the interest of providing an account of the most important

Gullible

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indemnify

From Liberalism to Positivism: Gil Fortoul and Vallenilla Lanz,gainst the logic of textual custodianship and possession established in the nineteenth century by Felipe Larrázabal, the O’Learys (father and son), and the state. Individuals who sought to direct the political course of Venezuela came to view themselves in relationship to Bolívar and to his writings

誹謗

Rufino Blanco Fombona: An Exile in Spain,have nothing to do with the positivist visions of José Gil Fortoul or Laureano Vallenilla Lanz. Throughout his career, this major writer from the Venezuelan oligarchy who opted in the early 1890s for military school rather than law school, the decision a sign of the times in a country of sporadic in

Blood-Vessels

The Construction of a Patrician Heritage and of Calumny: Vicente Lecuna, La Casa Natal, El Archivo dition defined by the fact of the dictatorship of Gómez as well as by Gil Fortoul and Vallenilla Lanz, both of whom promoted authoritarian government by attacking the purported empty constitutionalism of the elites. But Lecuna, who supported republican government and had his own experience on the mi

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敲竹杠

,Pan Americanism Above Ground: Bolívar in the United States, rubber and fig tree planted by William Howard Taft in 1910, symbolizing the intertwining of “south and north,” the Peace Tree, as it is known, and through the newly named Marcus Garvey Hall of Culture, sits the Simón Bolívar Room. This large room where the 34-member states conduct the business of t

Spina-Bifida

A Rebirth,ebrate the unveiling could not have been a bigger success. US American Sally Farnham, who won the commission from the Venezuelan government in 1901, sculpted the statue over a period of 20?years. It was the third equestrian statue of Bolívar to be given to the city by Venezuela and to sit in a north