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Titlebook: Bollywood and its Other(s); Towards New Configur Vikrant Kishore,Amit Sarwal,Parichay Patra Book 2014 Palgrave Macmillan, a division of Mac

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31#
發(fā)表于 2025-3-26 21:23:28 | 只看該作者
32#
發(fā)表于 2025-3-27 03:19:00 | 只看該作者
33#
發(fā)表于 2025-3-27 07:24:59 | 只看該作者
Lichtelektrische Zellen und ihre Anwendungitution. So when Mani Kaul tried to define his cinema with a preference for a term like ., it was a decisive statement against the supposed . of the medium. His . (1969) was given the Sunday evening slot in television, a slot better known for the popular Bombay films. Kaul, on a lighter note, suggested a different slot for his . cinema:
34#
發(fā)表于 2025-3-27 09:39:48 | 只看該作者
35#
發(fā)表于 2025-3-27 14:51:03 | 只看該作者
Rolfdieter Krause,Rainer Stangegeneral absence of SF in Hindi popular cinema, seen from the perspective of a film-lover who is also a shamelessly zealous SF fan in a culture that, for various reasons, has not shown much interest in it.
36#
發(fā)表于 2025-3-27 19:52:54 | 只看該作者
37#
發(fā)表于 2025-3-28 00:43:26 | 只看該作者
Transgressing the Moral Universeance films eliminate these potential threats through various narrative devices and mechanisms. There are examples of interracial diasporic romance films in which this taboo is broken; however, this is done so in such a way as to mitigate its potential for transformation of the romantic landscape in popular Hindi film.
38#
發(fā)表于 2025-3-28 03:49:33 | 只看該作者
Innere lichtelektrische Wirkung in Gasen,efine culture economically, Rajadhyaksha concentrates on the larger significance of the culture industry beyond the confines of traditional cinema exhibition, the emergence of the corporate- industrial-financial capital and the proliferation of the ancillary sector of film production/exhibition. Abo
39#
發(fā)表于 2025-3-28 07:53:18 | 只看該作者
Lichtelektrische Zellen und ihre Anwendungallenge to the curious, mainly due to the sheer scope of the topic. I will, therefore, further delimit my ambit. I want to (1) briefly look into the variant theoretical expositions of the definition of ‘Bollywood’, i.e. how it functions, coheres, frustrates, and (2) analyze the philosophical underpi
40#
發(fā)表于 2025-3-28 11:44:27 | 只看該作者
https://doi.org/10.1007/978-3-662-55273-5eover, she also co-starred with the singing legend K. L. Saigal in . (1945), . (1946) and in . (1947), though her career arguably took off with . (1942). Let us say that she was one of the actors who continued to perform her own songs, even at the times when the popularity of the playback singers so
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