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Titlebook: Bollywood Shakespeares; Craig Dionne (professor of Literary and Cultural T Book 2014 Craig Dionne and Parmita Kapadia 2014 cinema.essay.fi

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發(fā)表于 2025-3-25 05:30:47 | 只看該作者
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Comedies of Errors: Shakespeare,Indian Cinema, and the Poetics of Mistaken Identity. By creating a plot around two sets of twins, Shakespeare self-consciously draws attention to the role of the twin conceit in generating misrecognition. For Aristotle, tragedy was based on . or recognition that arises from a failure of understanding or misrecognition that can be tragic in its conse
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發(fā)表于 2025-3-26 01:00:19 | 只看該作者
Afterword: Shakespeare and Bollywoodg increasingly naturalized. While both Shakespeare and Bollywood can be said to constitute cultural capitals of a kind—Shakespeare the millennial poet whose worldwide performance and publication bespeaks a global presence, and Bollywood, the largest film industry in the world, whose audiences are sa
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https://doi.org/10.1057/9781137375568cinema; essay; film; poetics; postcolonialism; theatre; William Shakespeare; world cinema; British and Irish
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發(fā)表于 2025-3-26 14:10:30 | 只看該作者
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2730-9304 to Bollywood‘s representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.978-1-349-48148-4978-1-137-37556-8Series ISSN 2730-9304 Series E-ISSN 2730-9312
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