Titlebook: Body, Mind, and Method; Essays in Honor of V Donald F. Gustafson,Bangs L. Tapscott Book 1979 D. Reidel Publishing Company, Dordrecht, Holla

否決

A Biographical Sketch,s at Oxford, the Sorbonne, and finally the University of California at Berkeley, where he received the Ph.D. in 1931. He has taught at Rice University, Columbia University, Kenyon College, the University of North Carolina (Chapel Hill), and since 1972, at the University of Utah. He has also held vis

積極詞匯

音樂會(huì)

Literacy und geistige Behinderung culture, talk of ‘forms of experience’, concepts as shaping experience, experience as something which has a ‘structure’, is both a signal of and a justification for . theorizing. It is a mark which separates armchair reflection from empirical research. Just as in Aristotle’s classification of scien

善于

鐵塔等

圓桶

間諜活動(dòng)

https://doi.org/10.1007/978-3-476-03240-9n the same diagnoal as Capablanca’s queen. The question ‘Why did you make that move?’ could evoke, in answer, a detailing of the ensuing combination, some eleven moves deep. It is plausible to think that Botivinnik’s envisaging of this combination, his belief that further play must follow these line

整體

細(xì)頸瓶

https://doi.org/10.1007/978-3-476-05512-5ther unlike Everest whose being there isn’t the fault of any of us, poetry is, when and wherever it is, only because of us. So if it has faults, they are attributable to us, whereas the faults of Everest belong to it alone.

placebo-effect

Literarische Autoequigraphien um 1800o a gorgeously sensuous passage in a Vivaldi violin concerto, am caught by it, savour it; and soon the surface of my tongue is tingling, and the feeling passes down my body to my nipples and then my groin. There is no desire here — What could desire aim for? — but there is no doubt about the sexual