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Titlebook: Body and Event in Howard Barker‘s Drama; From Catastrophe to Alireza Fakhrkonandeh Book 2019 The Editor(s) (if applicable) and The Author(

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發(fā)表于 2025-3-21 16:45:44 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Body and Event in Howard Barker‘s Drama
期刊簡稱From Catastrophe to
影響因子2023Alireza Fakhrkonandeh
視頻videohttp://file.papertrans.cn/190/189559/189559.mp4
發(fā)行地址Represents the first book to apply Deleuze‘s ‘philosophy of the event‘ to Barker‘s work.Offers a new re-contextualization of The Castle in the context of post-9/11 and Brexit.Brings feminist theory to
圖書封面Titlebook: Body and Event in Howard Barker‘s Drama; From Catastrophe to  Alireza Fakhrkonandeh Book 2019 The Editor(s) (if applicable) and The Author(
影響因子This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With .The Castle. as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including .Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo., among others).??
Pindex Book 2019
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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/b104335 drama, in its treatment and conception of history, diverges from various modes/trends of historical representation by developing an “evental”—rather than a linear-progressive or dialectical-teleological—model. This evental model is driven by the aporetic logic of arrivant (Anti-History) and actuali
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