Titlebook: Blushing and the Social Emotions; The Self Unmasked W. Ray Crozier Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Conditional Linear Mixed Models,im for its universality on correspondence with colleagues across the world rather than on observations in those countries or direct contact with their inhabitants. There has been little subsequent research and what exists largely comprises students’ understandings of hypothetical events, their respo

懶鬼才會(huì)衰弱

https://doi.org/10.1057/9780230501942anxiety; character; consciousness; emotion; feelings

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978-1-349-52388-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2006

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https://doi.org/10.1007/978-1-4419-0300-6ollowing excerpt from Shakespeare’s . (Act I, Scene II) Lady Anne addresses Gloucester, who has murdered her father and her husband, and demands that he blushes for his actions. The blood in the blusher’s face is linked with the references to spilt blood and she claims that the presence of the murderer causes the corpse to bleed again.

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Emotion and its Expressionny years provided the only extended account of the phenomenon in scientific literature, and it is common even today for articles on blushing to cite this chapter. Discussion of emotion and the facial expression of emotion seems a natural starting point for consideration of the blush but it raises th

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Reasons to Blushion to understanding the blush yet it cannot provide the whole story. One obvious consideration is that the blush is, as far as is known, a uniquely human response (as Mark Twain wrote in ., 1897, ‘Man is the only animal that blushes. Or needs to’) and explanations have to take this into account. Wh