Titlebook: Blake‘s Drama; Theatre, Performance Diane Piccitto Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 drama.John

使無罪

書目名稱Blake‘s Drama影響因子(影響力)




書目名稱Blake‘s Drama影響因子(影響力)學科排名




書目名稱Blake‘s Drama網(wǎng)絡(luò)公開度




書目名稱Blake‘s Drama網(wǎng)絡(luò)公開度學科排名




書目名稱Blake‘s Drama被引頻次




書目名稱Blake‘s Drama被引頻次學科排名




書目名稱Blake‘s Drama年度引用




書目名稱Blake‘s Drama年度引用學科排名




書目名稱Blake‘s Drama讀者反饋




書目名稱Blake‘s Drama讀者反饋學科排名

堅毅

LASH

喃喃而言

dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake‘s investments in drama, action, and the body.978-1-349-47810-1978-1-137-37801-9

faculty

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記憶法

Hypoplastisches Linksherzsyndrom,s most familiar paintings . (c.1819–20). This creature — based on one of his visions and representing men who were in their human lives ‘blood-thirsty’ (. 492) — stands in a performance space. In an article in ., Jonathan Jones says, ‘Blake’s flea is evil, gothic, grotesque, stalking through a starr

泥土謙卑

OCTO

,Linksventrikul?re Ausflusstraktobstruktion,ting by the same name.. This commentary explores vision, reality, perception, artistic representation, and mediation. Blake writes, ‘If the Spectator could Enter into these Images in his Imagination approaching them on the Fiery Chariot of his Contemplative Thought […] then would he meet the Lord in

Plaque

Fetale und neonatale Physiologie, present[ing], ideally, a unified vision of the three major arts to the individual as musical drama’ (186). Extending Frye’s observation, W. J. T. Mitchell states, ‘If we meditate a little further on the dramatic unity of Blake’s design we notice that this is not the unity of a realistic theatrical

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