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Titlebook: Blake on Language, Power, and Self-Annihilation; John H. Jones Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 commun

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發(fā)表于 2025-3-21 19:49:50 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Blake on Language, Power, and Self-Annihilation
影響因子2023John H. Jones
視頻videohttp://file.papertrans.cn/190/189050/189050.mp4
圖書封面Titlebook: Blake on Language, Power, and Self-Annihilation;  John H. Jones Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 commun
影響因子Against a historical backdrop that includes eighteenth-century language theory, children‘s literature and education, debates on the French Revolution, Biblical interpretation, and print culture, Blake on Language, Power, and Self-Annihilation breaks new ground in the study of William Blake. This book analyzes the concept of self-annihilation in Blake s work, using the language theories of Mikhail Bakhtin to elucidate the ways in which his discourse was open to the viewpoints of others, undermines institutional authority, and restores dialogue. This book not only uncovers the importance of self-annihilation to Blake‘s thinking about language and communication, but it also develops its centrality to Blake‘s poetic practice.
Pindex Book 2010
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發(fā)表于 2025-3-21 21:14:32 | 只看該作者
Songs of Innocence and of Experience, Swedenborg’s notions of Correspondences and Representatives that help Blake to formulate an idea of individual identity as not an isolated consciousness but as inclusive of its surroundings through imagination (17-18; 87). This continuity and inclusiveness, moreover, is clearly indicated in the dis
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Milton,h memory and the other with inspiration. Memory, as a source of creativity, is, according to Blake, a negative element associated with classical models, theft, and perversion that has gained prominence over inspiration. Blake elaborates on this idea in other writings, indicating the importance it ha
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發(fā)表于 2025-3-22 13:20:13 | 只看該作者
Jerusalem, and obscurity” that, by its very obscurity, brings readers into the creative process by requiring them to interpret and to reinvent the system for themselves, thereby delivering “individuals from systems” (Easson 321). Molly Anne Rothenberg describes the illustration on plate . as a “.” since a fig
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發(fā)表于 2025-3-22 17:08:00 | 只看該作者
Conclusion,hich bright / Redounded from their Tongues in thunderous majesty” . 46.8, E 27; . 98.28-29, E 257). Throughout this search for the dialogic ideal, Blake employs multi-voiced genres—including the lyric collection, the Menippean satire, and an epic form that places renewed emphasis on the invocation a
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Leitfaden Erwachsenenherzchirurgie Swedenborg’s notions of Correspondences and Representatives that help Blake to formulate an idea of individual identity as not an isolated consciousness but as inclusive of its surroundings through imagination (17-18; 87). This continuity and inclusiveness, moreover, is clearly indicated in the dis
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發(fā)表于 2025-3-23 08:02:43 | 只看該作者
https://doi.org/10.1007/978-3-7985-1562-8impossible” are nothing more than unproven “opinions.” Instead of passively accepting the historians’ imposed theories, their “already found, ready-made irrefutable truth,” as Bakhtin would call it . 110), Blake prefers to discover his own version of the truth by responding directly to the events th
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