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Titlebook: Black Children in Hollywood Cinema; Cast in Shadow Debbie Olson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Representati

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發(fā)表于 2025-3-21 18:33:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Black Children in Hollywood Cinema
期刊簡(jiǎn)稱Cast in Shadow
影響因子2023Debbie Olson
視頻videohttp://file.papertrans.cn/189/188929/188929.mp4
發(fā)行地址The first book-length study to focus on representation of black children in popular film.Breaks down paradigms in studies of children on film by distinguishing the ways that "the child" is shaped by r
圖書封面Titlebook: Black Children in Hollywood Cinema; Cast in Shadow Debbie Olson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Representati
影響因子.This book explores cultural conceptions of the child and the cinematic absence of black children from contemporary Hollywood film. Debbie Olson argues that within the discourse of children’s studies and film scholarship in relation to the conception of “the child,” there is often little to no distinction among children by race—the “child” is most often discussed as a universal entity, as the embodiment of all things not adult, not (sexually) corrupt. Discussions about children of color among scholars often take place within contexts such as crime, drugs, urbanization, poverty, or lack of education that tend to reinforce historically stereotypical beliefs about African Americans. Olson looks at historical conceptions of childhood within scholarly discourse, the child character in popular film and what space the black child (both African and African American) occupies within that ideal..
Pindex Book 2017
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發(fā)表于 2025-3-21 20:32:17 | 只看該作者
Kr?fte mit demselben Angriffspunktldren are still depicted in film today. Olson here discusses the film . and the cinematic reach of the white savior ideal. In this chapter, Olson connects the stereotypes about Africa and Africans and argues that these stereotype’s form the basis for the cinematic trope of the African child soldier.
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發(fā)表于 2025-3-22 04:22:06 | 只看該作者
Debbie OlsonThe first book-length study to focus on representation of black children in popular film.Breaks down paradigms in studies of children on film by distinguishing the ways that "the child" is shaped by r
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Kr?fte mit demselben Angriffspunktldren are still depicted in film today. Olson here discusses the film . and the cinematic reach of the white savior ideal. In this chapter, Olson connects the stereotypes about Africa and Africans and argues that these stereotype’s form the basis for the cinematic trope of the African child soldier.
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