| 期刊全稱(chēng) | Black British Women‘s Theatre | | 期刊簡(jiǎn)稱(chēng) | Intersectionality, A | | 影響因子2023 | Nicola Abram | | 視頻video | http://file.papertrans.cn/189/188927/188927.mp4 | | 發(fā)行地址 | This is the first critical study of black British women‘s theatre to centre unpublished playscripts and other archival materials, many of which have not previously been studied in print.Focuses on the | | 圖書(shū)封面 |  | | 影響因子 | .This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice...Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green...Drawing on new interviews with the playwrights/practitionersand their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs a | | Pindex | Book 2020 |
The information of publication is updating
|
|
|Archiver|手機(jī)版|小黑屋|
派博傳思國(guó)際
( 京公網(wǎng)安備110108008328)
GMT+8, 2025-10-14 05:25
發(fā)表于 2025-3-21 20:00:11
