Titlebook: Biography; Fiction, Fact and Fo Ira Bruce Nadel Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 biography.fic

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書目名稱Biography網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Biography被引頻次學(xué)科排名




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書目名稱Biography讀者反饋




書目名稱Biography讀者反饋學(xué)科排名

Meditate

Biography as an Institution,f the genre: the proper size and scope of life-writing. In the nineteenth century, this issue was especially acute as the Victorian attraction to history, leading to the inclusive life, opposed the plea for an interpretative life indicated by George Eliot in 1852.. Initially, the analytic life was a

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Biography as a Profession,cquainted with the nature of their task, or very negligent about the performance’. Their sense of composition was at worst uninformed, at best slapdash as they ‘imagine themselves writing a life when they exhibit a chronological series of actions or preferments’. So little do they

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Versions of the Life: George Eliot and her Biographers,cts, incidents, relationships and settings that a biographer encounters frequently overwhelms his effort at reconstruction. Forced to select, balance, evaluate and at times suppress aspects of his subject’s life, the biographer is often frustrated in his attempt to unify individual experiences in an

convulsion

Writers as Biographers,of others, mostly of other writers, the author’s choice, treatment and analysis of subject tends to follow a pattern of idealization, revision and rejection. The reason is simple. In most cases the writer’s subject is a literary figure who directly or indirectly has had an influence on his work. The

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Hamper

Experiment in Biography,ence, along with objectivity and detail, would isolate biography from art. Fifty-three years later, however, Leon Edel perceived a new future for biography precisely because of the way it has adapted the new social sciences, especially anthropology and psychology, to writing lives. The result, he st

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Biography as a Profession,cquainted with the nature of their task, or very negligent about the performance’. Their sense of composition was at worst uninformed, at best slapdash as they ‘imagine themselves writing a life when they exhibit a chronological series of actions or preferments’. So little do they

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Overview: 978-1-349-09033-4