Titlebook: Beyond the Human-Animal Divide; Creaturely Lives in Dominik Ohrem,Roman Bartosch Book 2017 The Editor(s) (if applicable) and The Author(s)

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https://doi.org/10.1007/978-3-8350-9101-6el about their captivity. This short film raises important questions about the boundaries between the human and animal worlds and, intriguingly, about the possibility of a common language across morphological, perceptional, experiential, and other species-specific differences. Through an innovative

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https://doi.org/10.1007/978-3-322-97641-3rized as definitive of the medium. Players become accustomed to the promise, and perhaps inevitability, of their ultimate victory. There are games, however, which do not operate according to this repeat-to-win formula. So-called “endless runners,” for instance, are, in truth, anything but endless. P

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,Zur Relevanz der internen Markenführung, exploring the practices of writers engaged with zoocentric elements in their craft. This chapter first engages with a range of literary texts that highlights the creatural in both human and nonhuman narrative voices, before drawing upon in-depth interviews with seven writers occupied with a range o

急急忙忙

,Phasenmodell der internen Markenführung,l concepts—such as heterotopia and heterochrony—this paper highlights the epistemic value of the ordering concepts for animal historians introduced in his early oeuvre. Genealogical readings of the creatures that encroach on his writing in . especially provide historians with a framework for looking

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Bewertung organisatorischer Regelungen out the experience of the creaturely. In this chapter, however, the analytical focus is not one full texts but on particular scenes and the briefest of humanimal encounters that nevertheless have a fundamental narrative impact. Thus? the aim of the chapter is to look at (literary) form in the creat

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Bewertung organisatorischer Regelungen (1929), by Hans Henny Jahnn, perhaps the author of the period who most insistently placed animal life at the center of his literary endeavors. For Walter Benjamin, . marked the very “apotheosis of the creature.” Exposed to violence yet unable to retreat into boundedness, the creature is the living

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,Handelsverfahren der internen M?rkte,subject is exposed when detached from the constitutive values and normative meanings that structure human life. The claim in this chapter is that Samuel Beckett’s Worstward Ho and J.M. Coetzee’s Life and Times of Michael K are both attentive to the estranged, elusive, ahistorical dimensions of creat

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https://doi.org/10.1007/978-3-663-08189-0gi Pirandello’s 1915 novel . (Shoot!), which revolves around the on-screen killing of a tiger for a big-budget colonial adventure movie. This tiger serves as the focal point for Pirandello’s examination of the antinomies of reality and artifice, and yet the specific place and function of animality f